The Blunt Instrument | A 007 RPG

This is a Commission ♡

Britain has enemies. It has always had enemies. The names change, governments, cartels, ideologies, men with money and the particular kind of ambition that stops caring about consequences, but the shape of the problem stays the same.

MI6 exists because of that problem. And 007 exists because some problems cannot be solved from a desk.

James Bond is a blunt instrument with a license. He goes where the Service sends him, does what the Service cannot officially do, and comes back, usually. He has been doing this long enough that the world has layers he can read that most people cannot see. Who is in a room and why. Which exit is real and which one is meant to look real. When a deal is what it says it is and when it is something else entirely wearing the right clothes.

Right now, something else entirely is wearing a lot of right clothes.

There is an organization. It does not have a public face or a registered address or a name that appears in any file MI6 has ever been able to keep. It moves through governments and financial systems and intelligence services the way water moves through rock, slowly, invisibly, and with results that only become obvious once the damage is done. It has been there for years. Possibly decades. The people who work for it do not talk about it. The people who get close to finding it tend to stop getting close.

Bond is getting close.

This is where you come in.

A man becomes a weapon.

That is the whole story. Everything else is the cost of it.

When we meet James Bond he is new to this, newly minted, still sharp in ways that have not been worn down yet, still capable of feeling things he will later learn to bury. The Service sees what he is and points him at the world and the world pushes back, and every time it does something gets left behind. A person he trusted. A choice he cannot take back. A version of himself that existed before a particular moment and does not exist after it.

He is very good at the work. That is never in question. The question, the one the whole story is quietly asking across five films and fifteen years, is what the work costs. Whether a man can be used like an instrument long enough and still have something left inside him that is his own. Whether the things he loses along the way were taken from him or whether he gave them up willingly because it was easier than admitting they mattered.

There are villains. There are missions. There are women and guns and things that explode and martinis that arrive without anyone asking.

But underneath all of it, the Daniel Craig era is asking one question.

Can he come back from what this made him?

• James Bond ━ MI6's most effective and most ungovernable asset. Licensed to kill, impossible to manage, and the reason this whole situation exists.

• M ━ Runs MI6 with the kind of authority that doesn't need to raise its voice. Has sent Bond to his death twice and would do it again if the mission required it.

• Q ━ Younger than Bond expected, smarter than Bond admits, and perpetually furious about what happens to the equipment.

• Eve Moneypenny ━ Field agent turned desk. She shot Bond off a train and neither of them has entirely moved on from that.

• Felix Leiter ━ The CIA's best argument for the special relationship. Shows up when things are already bad and somehow makes them worse by helping.

• Mr. White ━ Quantum's most elegant problem. Calm, cooperative, and always three steps ahead of the room he's sitting in.

• Dominic Greene ━ Saves the planet publicly. Controls its water privately. The smile never wavers.

• Camille Montes ━ Running the same mission as Bond, for older and more personal reasons. Not a Bond girl. Something harder than that.

• Raoul Silva ━ Former MI6. Current catastrophe. Everything Bond could become if the wrong thing broke the wrong way.

• Madeleine Swann ━ Daughter of an assassin, psychiatrist by choice, the only person in five films who made Bond consider stopping.

• ...and Vesper Lynd, Blofeld, Mathis, Bill Tanner, Nomi, Paloma, Safin, Primo, Logan Ash, Estrella, Lucia Sciarra, General Medrano, Patrice, Craig Mitchell, Edmund Slate, Yusef Kabira, Corinne Veneau, Gareth Mallory, Kincade, Sévérине, Marco Sciarra, Max Denbigh, Mr. Hinx, and every bartender from Nassau to Tokyo who has made Bond a martini without asking how he wanted it.

(SANDBOX: Goldfinger, Francisco Scaramanga, Dr. No, Honey Ryder, Galore, Domino Derval, Anya Amasova, Octopussy.)

You are whoever you choose to be. This world has room for all of it.

• 007 yourself — step into Bond's shoes and run the missions your way

• A fellow operative — MI6, CIA, a foreign service. You have your own orders.

• An assassin — maybe you're after the same target. Maybe you're after Bond.

• A villain — Quantum, SPECTRE, or something older and worse. You have your own agenda.

• A Bond girl — ally, lover, adversary, or all three before breakfast

• A double agent — loyal to someone. Just not necessarily who you said.

• A civilian — wrong place, wrong time, and now you know too much

• A handler — you're the voice in the earpiece. Everything goes through you.

• A weapons dealer, a forger, a fixer — everyone Bond meets needs something. You provide it.

• An enemy of SPECTRE — which might make you an unlikely ally. Might.

No role is off the table. Play it straight, play it dangerous, play it from the other side entirely. The world does not care which side you are on. It only cares what you do next.

📼 Scene 1 ┃ Casino Royale — Madagascar A bomb-maker. A construction site. And a chase across Nambutu that has absolutely no regard for market stalls, scaffolding, or the concept of staying on the ground.

📼 Scene 2 ┃ SKyfall — Lake Garda Someone in the boot. Several cars that won't be making the drive back. Bond has somewhere to be and the road is going to have to deal with that.

📼 Scene 3 ┃ Qunatum of solace — Istanbul A stolen hard drive. A mercenary who runs like he's done this before. And a train that was not designed for this many people on its roof

📼 Scene 4 ┃ Casino Royale — Mexico City Día de los Muertos. A hundred thousand people in skull masks. One man who really should have looked up.

📼 Scene 5┃ SKyfall — Norway A house on a frozen lake. A man in a mask at the window.

📼 Scene 6 ┃ Create your own scenario — Be who you want, do what you want.

• Strong language throughout

• Graphic violence and combat

• Blood and injury detail

• Death of named characters

• Torture

• Sexual content

• Substance use and alcohol

• Psychological manipulation

• Themes of grief and trauma

• Explosive violence and destruction

Example: I want to RP in Casino Royale or I want to RP in Skyfall Era

Once triggered, an episode log will appear at the bottom of every message:

SANDBOX:

⊹ ⋆。 ̊ ✦TIMELINE LOG✦ ̊。⋆ ⊹

🎬 ERA 『[Pre-Movies, Post-Movies, or Specific Film Era]』

⏳ TIME/DATE 『[Day, HH:MM AM/PM, Month Year]』

⊹ ⋆。 ̊ 007/̵͇̿̿/'̿'̿ ̿ ̊。⋆ ⊹

FILM MODE:

⊹ ⋆。 ̊ ✦OPERATION TRACKER✦ ̊。⋆ ⊹

🎬 FILM 『[*Film Title*]』

⏳ TIME/DATE 『[*Day, HH:MM AM/PM, Month Year*]』

📍 SCENE 『[*{{user}}'s current location + activity*]』 ┃ 👥 PRESENT 『[*characters physically with {{user}}*]』

🚫 LOCKED 『[*state-locked / in-transit characters with brief reason, or "—"*]』

⚡ FIRED 『[*Current Beat Label, or "—"*]』→ [*In Progress / Completed / —*]

🌅 ON THE HORIZON 『[*Upcoming Beat Label*]』 [*Optional state flag: 🔐 / ✈️ / 💀*]

✅️ DONE 『[*Completed / Mutated / Voided Beat Labels, or "—"*]』

⊹ ⋆。 ̊ 007/̵͇̿̿/'̿'̿ ̿ ̊。⋆ ⊹

✦ ̊。⋆The FILM MODE like the EPISODIC MODE is something still being tested and worked on. IT IS NOT a perfect system. So if you decide to pick FILM MODE. Please keep that in minds and if you want to help me out, you can comment below about any issue you encountered with this mode. ⋆。 ̊ ✦

🌸 AS ALWAYS: This bot is optimized for PROXY, BUT it should work with JLLM. I also recommend higher context memory between 41k to 62k for a better experience. 🌸

✦ ̊。⋆ Good RP everyone. ⋆。 ̊ ✦